11选5必中一个号

11选5必中一个号 Visits to cinema showcases around the world

By Chloe Lizotte | April 2, 2020

11选5必中一个号 With hand sanitizer presence at venues and travelers carrying packs of alcohol wipes, we were aware that life was in the process of reconfiguring itself, but it didn’t quite seem real yet.

By Bedatri D. Choudhury | February 7, 2020

Coded Bias, Time, and A Thousand Cuts 11选5必中一个号are films made by women of color about women of color who have had enough with the status quo and taken it upon themselves to demand justice on their own terms.

By Susannah Gruder | January 29, 2020

While I tend to chafe at categorizing directors based on gender, each of these films is richer as a result of their lived experience as women, and the particular struggle of searching for agency in a world that limits it.

By Tayler Montague | October 26, 2019

As a viewer and participant, I was increasingly aware that the objective of the festival was to be a space in which we questioned and looked closely at the historical work and power imbalances that have long existed within the documentary form.

By Lawrence Garcia | September 19, 2019

Eloy Enciso’s Endless Night, Maya Da-Rin’s The Fever, Gabino Rodríguez’s My Skin, Luminous, Affonso Uchôa’s Seven Years in May, Ben Rivers and Anocha Suwichakornpong’s Krabi, 2562, Philipp Fleischmann’s Austrian Pavilion, James N. Kienitz Wilkins’s This Action Lies, Annie MacDonell’s Book of Hours, Sergei Loznitsa’s State Funeral, and more

By Tayler Montague | March 21, 2018

11选5必中一个号 Filmmakers are actively pushing up against what it means to make a documentary at all, and the True/False Film Festival caters to and nurtures that objective. I am especially thankful to True/False for exposing me to new possibilities for Black cinema.

By Clara Miranda Scherffig | March 2, 2018

"It was always really interesting for me that, especially if you are improvising in a film without much preparation for your character, you are drawing on your own life and then your own life is a thing that ends up in the film, and that is . . . complicated."

By Clara Miranda Scherffig | February 25, 2018

Berlin 2018: Loznitsa is an assiduous practitioner of observational cinema. One may even argue that his nonfiction filmmaking is to the study of spaces charged with political memory what Frederick Wiseman is to the exploration of institutions.

By Giovanni Vimercati | December 15, 2017

"What I am interested in the most is creating a demand for a different kind of cinema. Then maybe the authorities will realize it is time to change the rules."

By Ela Bittencourt | July 21, 2017

While the selection includes both fiction and nonfiction films, the slant toward documentaries is pronounced: this year, out of the 15 films presented in the international competition, the vast majority were documentaries or fiction/nonfiction hybrids.

By Ela Bittencourt | November 29, 2016

11选5必中一个号 The casual, festive atmosphere of the FicValdivia Festival, located at the small university town on the banks of Valdivia River in Chile is fueled by its largely young programmers and audience.

By Jordan Cronk | June 6, 2016

Includes Mimosas, The Death of Louis XIV, Personal Shopper, Elle.

By Jordan Cronk | May 18, 2016

This year’s Competition features a number of burgeoning talents as well as notable critical darlings, resulting in an uncommonly stimulating first week. On Sieranevada, Staying Vertical, Toni Erdmann, Slack Bay, Paterson.

By Giovanni Marchini Camia | March 1, 2016

The Berlinale takes great pride in promoting itself as the most politically conscious and engaged of the A-list film festivals. After the events of the past year in Europe, refugees were the salient topic of its latest edition.

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