11选5必中一个号 The subjects Skoog follows the closest end up on the fringes of group gatherings. As that world seems less stable, the implication looms that technology and industry irreparably threaten the land we still very much depend on.
11选5必中一个号 She structures her films around dramatic temporal and spatial jumps, but without the backbone of conventional pacing they seem especially jarring; it often takes a minute to realize that Schanelec has shifted gears to a different world.
Carax envisions life as an endless state of unpredictable flux. We can’t help but transform depending on who we’re with and which spaces we enter, on-screen or off-. Taking escapism to its limit, it’s impossible to reconcile the “real” self with the “role.”
A Few Great Pumpkins
The Invitation, The Ghost Train, The Little Girl Who Lives Down the Lane, The Creature from the Black Lagoon, A Scary Time, Messiah of Evil, Panna a netvor
Writer/director Jim McKay’s fifth feature, and his first since 2005’s Angel Rodriguez, is his most tightly plotted film yet, propelled by a momentum that’s often exhilaratingly fleet. Yet his emphasis on his characters’ everyday stakes keeps the film from feeling lightweight.
A Gentle Creature is more of a destabilizing shock to the system than a call to arms, a confrontation with a broken state rather than a blueprint to rebuild it. It confirms Loznitsa as a master craftsman of the impeccably designed and crafted hellscape, politically charged and all-consuming.